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Quick Guide to Taking Better Photos
 

  Author: Marilyn Lyons
 
  In my business I see a lot of snapshots taken by ordinary people. They aren't professional 
  photographers. The "Average Joe" is usually just trying to record a moment or subject, not
  win a prize in a photo contest for technical excellence. However, here is something very 
  important to remember before taking that spare-of-the-moment picture. You won't be able to
  take that exact image again. That moment in time will be gone. So, it's best if you record that
  image the best you can at the time you hear the click of the shutter. Call it an insurance policy.
  Better to do it correct when taking the photo now than years later saying ..."what if" or "I wish I
  had..." 
  These tips are very simple things to do and to make a habit of when taking pictures. If you are
  already doing them...great. You probably will have fewer "second thoughts" years from now. 
  However, if you think your photos are lacking "something", these tips could be the key to saying
  "wow" today and tomorrow. I guarantee you will see major improvement in your photography, if
  you follow these steps.
  ---Move in as close to the subject(s) as possible. Unless you're taking a scenic shot, a lot of
    background in the picture is not important. (more about that later) We want to see the
    person/subject, not the trees or grass in the background. When looking at the printed photo
    later, we want the eyes to be drawn to the subject(s). The subject should be the focus of the
    picture. Also, unless what the person is wearing is important, it is not necessary to include the
    subject from head to toe in the picture. You'll be able to get much closer if you take the
    picture with the subject(s) shown, at most, from the waist-up.  

  ---How you hold the camera, vertical (up & down) or horizontal (left to right), will help in framing
    the subject. This will also help you to get as close as possible. Can you get the subjects in the
    camera's viewfinder when holding it vertically. If so, that's how you should take the photo. If
    not, switch to horizontal. Usually, in general, 1 or 2 people should be taken vertically. Three or
    more people should     probably be taken horizontally. This is probably the most common,
    but easily correctable, problem with snapshots that I see. If there is one person in the photo,
    rarely should the picture be taken horizontally. Yet, I see it a lot. It's understandable if the
    person is standing in the Grand Canyon. That's a wide scenic view and one that you want to
    include in the image. But, that is rare. Here is another important tip concerning positioning of
    the camera. Move the camera before you move yourself. If you re the photographer, stand 5
    -10 feet from the subject(s) and position the camera in the vertical or horizontal position
    following the guidelines stated above. If you can't fit everyone in the frame, then take
    a step(s) backward. Remember, we're trying to be as close as possible to the subject(s).
    Experiment with repositioning the camera before repositioning yourself!

  ---Too much needless background in a photo is a common problem with snapshots. Moving in
    closer and positioning the camera correctly can eliminate needless background. But, how do
    you decide when to curb it and when to expand it? Ask yourself these questions. Is the
    background unique or interesting? Does the background help in telling a story about the
    subject or what was happening at the time the picture was taken? If you are taking a picture
    of a clown in front of a building or in front of trees and bushes, the background is not unique,
    nor is it telling a story about the clown. So, move in close and take the picture vertically.
    However, if the clown is standing in the middle of the midway of a carnival or circus, that is
    very appropriate to show in the background. It helps to tell a story about the clown and it's
    interesting. It also tells a story about the photographer. It lets us know that the
    photographer was at a carnival or circus. This would be an ideal situation to step back and
    allow more of the background to be seen in the viewfinder. Use this tip when considering
    where to take your picture and how to position the camera. 

  ---By following the tips above, you will not only see more appealing photos but it will also be a
    major benefit if you should decide you want any of your photos enlarged in the future. You
    might even find it more cost effective. Here's how. A top reason why a lot of people have a
    photo enlarged, is because they want to see the subject(s) bigger and have needless
    background eliminated. An issue that wouldn't be an issue if the steps outlined above were
    followed. If when taking your photos you move in closer and position the camera correctly,
    vertical vs horizontal, (A) The image/subjects will be closer and easier to see, therefore
    enlarging may not be necessary. (B) If you want a photo enlarged, you probably will find it will
    not have to be enlarged as much to get the size of image/subject you desire. 

  ---Let's debunk a myth! The best pictures are those taken in bright sunlight. Right? That's
    WRONG! The best lighting conditions in which to snap an outdoor photo is... overcast skies
    Bright sunlight, especially from an afternoon summer sun, washes out color on the subject and
    causes upheaval with your camera's eye or lens. For more appealing skin tone and color
    saturation, take your outdoor photos on an overcast day or in the shade. A trick that
    professional photographers use when shooting in these conditions is to use flash on a low
    setting. The flash adds a little light to brighten the scene (highlights) and add "catch lights"
    (those little white dots) to the eyes. A yellow filter can be attached to the front of the flash to
    add a bit of yellow light, mimicking the sun. The flash will also be very beneficial if the subject
    is wearing a hat or cap with a brim. The hat can overshadow the eyes and top of the face. By
    using flash, you'll reduce the shadow by throwing light under the brim.

    Speaking of the sun...don't pose your subject(s) facing the sun (causes eye squinting and
    wrinkles) or with their back to the sun (causes lighting issues) . Position the subject with the
    sun to their side. 

    A GOOD sun in which to photograph outdoor pictures, is a late afternoon autumn sun. The
    deeper yellow lighting adds warmth to a photo. Done correctly, the lighting alone can make a
    photo extraordinary. 

  ---Want to eliminate "red eye"? The scary, glowing "red eye" affect is caused when the flash is
    reflected in the eye and bounces back to the camera's lens. I won't bore you with a
    physics lesson, but that reflection bounces back in an almost straight and level line from the
    eyes. So, if your flash is attached to the camera, do not take the picture on the same
    level as your subject's eyes. (A) Have the person look towards the camera but not directly
    at it. (B) The photographer should move the camera slightly above or below the subject's eye
    level. 

    If your camera has a detachable flash, hold the flash above or to the side of the camera when
    snapping the shutter.

    Photographing animals without "red eye" is more difficult because you can't control where
    they look and usually have to snap it quick. Suggestions include...photographing them in action
    and not in a posed position, therefore their eyes more than likely won't be directed towards
    the camera. Secondly, you can try quickly moving away from the animal's eye level a split
    second before snapping the shutter.  But, that is dangerous because you may have "camera
    shake" when clicking the shutter, which will lead to a fuzzy image.

  About the author:
  Marilyn Lyons is an awarding winning photographer with a Photographic Technology degree
  from the Ohio Institute of Photography & Technology. She has worked with a variety of
  photographers and owned her own studio. She currently is a veteran of the photo sculpture
  industry, working with photographers and the general public to produce stand-up 3-d statues of
  their photography. You can check-out a gallery of her creations at http://www.funfotos.com

 

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